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Canon EOS C100 Mark II Cinema EOS Camera with Triple Lens Kit

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Cámara Canon EOS C100 Mark II Cinema EOS con kit de tres objetivos

SKU 0202C010

$6,498.00 - $6,498.00

$6,498.00

$6,498.00 - $6,498.00

$6,498.00

Sensor CMOS Super 35 mm de 8,3 MPObjetivo EF 16-35 mm f/2.8L II USMObjetivo EF 24-70 mm f/2.8L II USMObjetivo EF 70-200 mm f/2.8L IS II USMEnfoque automático Dual Pixel CMOS integrado1920x1080p 59.94/50/29.97/25/23.98Salida HDMI con código de tiempo y LUT C-LogISO 320 a 102,400Dos ranuras para tarjetas de memoria SD/SDHC/SDXCConectividad Wi-Fi integrada

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Features

The Canon EOS C100 Mark II Cinema EOS Camera with Triple Lens Kit provides you with the compact 1080p EOS C100 Mark II camera and a set of three fast f/2.8 Canon L-Series zoom lenses covering wide to telephoto focal lengths on the camera's Super 35mm-sized CMOS sensor. The EOS C100 Mark II is an updated version of the C100 that incorporates Dual Pixel CMOS AF technology that enables continuous autofocusing with compatible Canon lenses. This provides faster and more accurate autofocusing to assist users when operating with small crews.

In addition to Dual Pixel CMOS AF, the Mark II adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD, and slow & fast motion options when recording in MP4. The Mark II also features an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and is tiltable. The Mark II supports GPS and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.

The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allowing you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage.

Included with the EOS C100 is a set of three Canon EF-mount L-Series zoom lenses with 16-35mm, 24-70mm, and 70-200mm focal ranges. Each lens features a fast maximum aperture of f/2.8 throughout the zoom range. The lenses are autofocus enabled and are fully compatible with the EOS C100's Dual Pixel CMOS AF for continuous autofocusing. The 70-200mm lens also provides a two-mode optical image stabilization to help reduce the effects of camera shake. The EOS C100 Mark II combined with these three fast zoom lenses makes an ideal package for event videographers, documentarians, and independent filmmakers.

EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)
The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon's updated version of the C100 designed for event videographers, documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual Pixel CMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.

The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow & fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handle is removed. It incorporates a 3.5" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts as well. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it also supports Canon Log LUT.

The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, the camera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already invested in Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to the efficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean, uncompressed 4:2:2 video with embedded timecode via the HDMI output.

The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the camera's flexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend less time checking camera settings and more time capturing cinematic footage.
Dual Pixel CMOS AF Technology
The Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus.

Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
Continuous Recording
The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START/STOP button is pressed. At this time, the continuous recording function is compatible with Grass Valley's EDIUS Pro 7 software.
320 to 102,400 ISO Range
With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shoot usable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operate under lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.
Menu Navigation via Camera Buttons
Internal camera menus are now controllable from buttons on the camera body. While previously a removable joystick was the only way to control the internal menus, now buttons on the rear of the camera under the built-in monitor can be used. This lets you access the menus when the side grip is removed.
Viewfinder Magnification Location Shift
Manually move the center of the camera's magnification viewing area to one of 25 different locations throughout the image frame using the joystick. Now camera operators can easily check focus even on subjects that are located away from the center of the image frame.
Record Button Lock
The Key Lock setting now makes it possible to lock all operations, including the record button. This helps to prevent accidental operation during a critical shoot by the operator inadvertently pressing a wrong button
Super 35mm 8.3MP CMOS Sensor
The Super 35mm-sized sensor provides an angle-of-view and depth of field that equivalent to that of traditional Super 35mm film. With a native resolution of 8.3MP and a wider pixel pitch than conventional professional camcorders, the sensor offers enhanced sensitivity and reduced noise in low light environments.
DIGIC DV 4 Image Processor
Designed and built by Canon for the highest HD RGB processing, the DIGIC DV 4 Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations that originate in the single CMOS sensor of the camera into three channels (Red, Blue, and Green) to maintain the rich resolution and clean color fidelity formerly possible only in three-chip sensor designs.
Low Light Sensitivity
Working together, the Super 35mm sensor and DIGIC DV 4 Image Processor achieve a high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.
Canon Log Gamma and Wide DR Gamma
Canon Log records an image with subdued contrast and sharpness, which preserves a high dynamic range and presupposes color grading in post production. Canon Log Gamma emphasizes rich gradients from mid-range to highlights, resulting in 12-stops of dynamic range. At ISO 850 and above, Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in color grading.

Wide DR Gamma yields wide dynamic range by suppressing brightness while maintaining gradations, but is designed to produce finished-looking images without requiring any color grading in post-production.
EF Lens Mount with EF Contacts
The camera is fully compatible with Canon's renowned EF mount lenses. Even specialty lenses, such as Canon's 24mm f/3.5L II tilt shift lens or the 8-15mm f/4L Ultra-Wide Zoom fisheye lens. When shooting with EF lenses, the camera features peripheral illumination correction, which automatically compensates for light fall-off in the corners of the image.
Multiple Recording Modes and Frame Rates in AVCHD
The camera supports AVCHD bit rates up to 24 Mbps (LPCM) at a maximum resolution of 1920x1080. Frame rates of 59.94p, 50p, 59.94i, 50i, 24p, 25p, PF30, and PF24 are all available to meet the needs of your production workflow. It supports relay recording of long takes between dual SD cards or can write video to both cards for redundancy in the event of SD card failure. Pre REC mode buffers approximately three seconds before the tally light activates.
Multiple Recording Modes and Frame Rates in MP4
The C100 Mark II supports recording in 1920 x 1080p recording to MP4, at multiple frame rates, and also supports 720p and 640 x 360 frame sizes.
Uncompressed HDMI Out with Timecode & Canon Log LUT Support
Outputting an uncompressed signal via HDMI. This signal can superimpose timecode and the 2:3 pulldown marker, which means an external recorder and converter can process the HDMI output as an SDI signal. External recorders provide an instant back-up and help to streamline post-production workflows. The HDMI output also supports Canon Log LUT output.
Compact and Ergonomic Design
Designed with the solo shooter in mind it is 85% the size of the Canon C300, and it is based on a mobile core design that allows additional accessories to be attached depending on the situation. Strip the camera down for a "run-and-gun" style, or complement the camera with the full range of camera-mounted accessories. With a compact body, you can even shoot dual-camera 3D without an over-sized and cumbersome rig. Its light weight reduces user fatigue and allows even elaborate rigging systems to remain mobile enough for a single operator. The removable accessory hand grip rotates 360 degrees for comfortable shooting positions, while customizable hardware buttons allow the camera to fit your own personal shooting preferences.
Removable Top Handle with XLR Inputs and Stereo Microphone
Including a top mounted handle unit, which features two XLR connectors and a microphone shock mount. XLR connections offer a high quality audio input for professional grade microphones and facilitate 2 channel 48kHz linear PCM (24 Mbps) audio recordings.
High Resolution EVF and Integrated OLED Display
Accurately check focus, composition, and exposure with the 1.23 million dot-equivalent 0.45" electronic viewfinder with 100% coverage. The built-in 3.5" 1.23MP equivalent OLED panel tilts 100 degrees for flexibility when composing tough perspective shots and rotates 180 degrees to protect the screen when not in use. Use the LCD display to review footage or to view the camera's waveform monitor.
AVCHD or MP4 File Based Recording to SD Cards
The camera records video to SDHC/SDXC cards using AVCHD, a high-efficiency codec that has quickly become a standard in both the professional and consumer video markets. Maximum bit-rate is 24 Mbps. Video files greater than 2GB are split into multiple files while recording, which are automatically joined together upon import using Canon Data Import. AVCHD video is widely supported across NLE systems and is the standard codec for Blu-Ray.

The camera records using the MP4 codec, and can record in fast motion (25% faster) or slow motion (40% slower) in MP4 recording mode.
Full Manual Control and Focusing Aids
The camera offers complete manual control of each aspect of the recording process. Create and recall custom picture settings, camera functions, and display options. The camera also features several powerful and intuitive focusing aids in both the EVF and LCD monitor that make it easy to confirm critical focus distance; Peaking Modes and Magnify Focus Modes are available while in standby or while recording. Additionally, the LCD features Edge Monitor Display; green waveform display the overall focus of the scene and red waveform provide focus feedback of the three focus check boxes visible on the LCD monitor.
One Shot AF and Push Auto Iris
One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure. Both of these functions can be accessed even when operating in manual mode.
Built-In ND Filters
In excessively bright environments neutral density filters are often required to avoid over exposure, without compromising desirable shutter and aperture settings. It features built-in ND filters in three densities, which make for four ND configurations (OFF, 2 stops, 4 stops, 6 stops). The built-in ND filters are deployed via a manual dial.
Remote Terminal
Remotely control the camera via its LANC-compatible remote terminal. Remote operation allows for single-person operation even in creative rigging situations.
Additional Features
Waveform monitor; standard and RGB modes
Exposure/Focus aids: Peaking, Zebra, Magnify, Edge Monitor Focus Assist, Black and White Mode
Drop Frame (DF) or Non-Drop Frame (NDF) Timecode
Timecode modes: Regen, Record Run, Free Run
Nice Customized Picture Profiles available in camera and up to 20 can be saved to an SD card
Custom picture profiles can be adjusted using the following settings: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Balance, Color Correction, Setup Level
15 assignable function buttons
SMPTE, EBU, or ARIB standard color bars can be selected
UPC: 013803251807
EF 16-35mm f/2.8L II USM Lens
The EF 16-35mm f/2.8L II USM Lens from Canon is a high performance, water-resistant,ultra wide-angle L-series zoom lens. An f/2.8 maximum aperture is effective in low light situations and offers shallow depth of field focus control. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Its ultrasonic motor (USM) and improved AF algorithms will help the lens to focus faster and quieter. Precise manual focus is supported even in One Shot AF mode and a truly round aperture results in pleasing background blur.
All of the "L" lenses deliver optical performance equal to similar fixed focal lengths lenses and provide tight seal structures for dust and water resistance. Distortions and aberrations are remarkably small for a lens of such amazing capabilities. An included petal-style lens hood keeps unwanted light from entering the lens and causing flare and it offers a degree of protection against impact and the elements.
Ultra-low dispersion glass and three high-precision aspherical lens elements, each of a different type: ground, replica and GMo minimize aberrations and improve overall image quality.
A ring-type Ultrasonic motor (USM) provides quiet, fast, precision auto focusing and predictive tracking.
Full-time manual focus override (even in AF mode) is supported.
Circular aperture diaphragm produces brilliant out-of-focus characteristics.
A petal-type lens hood is included.
UPC: 013803078596
EF 24-70mm f/2.8L II USM Lens
This redesigned EF 24-70mm f/2.8L II USMLens from Canon ups the ante for optical performance for a professional standard zoom lens. It has one Super UD lens element and two UD lens elements that minimize chromatic aberrations in the periphery at wide-angle, as well as reducing color blurring around the edges of the subject. In addition, two types of aspherical lenses are combined to help reduce spherical aberration over the entire image area, as well as through the full zoom range. Optimized lens coatings help ensure exceptional color balance while minimizing ghosting.
A ring-type USM and high-speed CPU with optimized AF algorithms ensure silent, fast autofocusing.The lens isconstructed with improved dust sealing and water resistance, while fluorine coatings on the front and rear lensreduce fingerprints and smearing. A circular 9-blade diaphragm gives beautiful, soft backgrounds. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.
Large aperture L-Series standard zoom lens that combines high image quality and enhanced durability. Constant f/2.8 maximum aperture for effective imaging in low light and shallow depth of field.
New optical design utilizes one Super UD lens element and two UD lens elements to minimize chromatic aberration in the outer area at wide-angle; as well as eliminates color blurring around the edges of the subject, for images with high resolution and contrast.
Combines two types of aspherical elements to reduce spherical aberration, and achieve high image quality across the entire screen area and throughout the full zoom range.
Highly resistant to dust and water, enabling shooting even in harsh and rigorous conditions.
Nine-blade circular diaphragm delivers beautiful, soft backgrounds.
Ring USM, high-speed CPU, and optimized AF algorithms for fast autofocusing.
Manual focus override in One Shot AF mode allows precise manual focus even in AF mode.
Optimized lens coatings ensure exceptional color balance while minimizing ghosting.
Fluorine coating on front and rear lens surfaces reduces smears and fingerprints.
Zoom lock lever locks the zoom position at the wide end for safe transporting.
EF 70-200mm f/2.8L IS II USM Lens
The EF 70-200mm f/2.8L IS II USM Lens from Canon improves upon its predecessor, one of the most acclaimed lenses in the Canon EF line, with superior performance, increased speed and optical quality.
This lensconstruction consists of one fluorite and five ultra-low dispersionoptical elements which help deliver the sharpness and reduced aberrations. The IS II Optical Image Stabilizer provides up to 4 stops of correction at all focal lengths and features two modes for stabilization of still objects and while panning to follow moving subjects. An ultrasonic focusing motor provides fast, smooth and silent autofocus action.
This lens has a minimum focusing distance of 3.9' (1.2m) at all zoom settings so you canshoot close to your subject even in smaller spaces. Like all Canon L-series lenses, this telephoto zoom is dust and moisture resistant and designed to keep on going even in the most challenging of environments.
Fluorite & ultra-low dispersion lens elements reduce aberrations and contribute to high resolution, high-contrast imaging.
Two-mode Image Stabilization can correct for all types of camera shake. Mode 1 corrects for still images and Mode 2forthe extraneous up and down movement created when panning with a moving subject.
An ultrasonic autofocus motor provides fast, smooth and silent autofocus.
Manual focus override enables precise manual focus even when in autofocus mode.
A focus range limiter lets you set the range of focus distance which enables shorter focusing times. The two ranges are 3.9' to infinity and 8.2' to infinity.
A truly round aperture hole results in more pleasing out-of-focus areas.
Tight seal structure ensures excellent dust-proof and moisture-proof performance.
Removable, rotatable tripod collar is included.

Item Includes

Artículos del paquete

Cámara EOS C100 Mark II Cinema EOS con AF CMOS de doble píxel (solo cuerpo)

ocular

Unidad de manija

Reposapulgares

Base adaptadora para trípode TB-1

Correa para el hombro SS-1200

Paquete de baterías inteligentes de iones de litio BP-955 (5200 mAh)

Cargador de batería

Adaptador de corriente compacto CA-940N

Cable CC (para CA-930)

Cable de CA

CD-ROM con utilidad de importación de datos Ver. 1.0

Garantía limitada de 1 año

Lente EF 16-35 mm f/2.8L II USM

Tapa de lente E-82 II de 82 mm

Tapa antipolvo para lente E (trasera)

Parasol EW-88 para 16-35 mm f/2.8L II USM

Estuche para lentes LP1319

Garantía limitada de 1 año

Lente EF 24-70 mm f/2.8L II USM

Tapa de lente E-82 II de 82 mm

Tapa antipolvo para lente E (trasera)

LP1219 Estuche blando para lentes

Parasol tipo tulipán EW-88C para objetivo EF 24-70 mm f/2.8L II USM

Garantía limitada de 1 año

Lente EF 70-200 mm f/2.8L IS II USM

Tapa de lente E-77U

Tapa antipolvo para lente E (trasera)

Parasol ET-87

Estuche para lentes LZ1326

Collar de montaje en trípode

Correa para estuche de lentes

Garantía limitada de 1 año

Item Includes

EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)

Image Sensor
Sensor	Super 35mm CMOS (24.6 x 13.8 mm) (28.2 mm diagonal)
Total Pixels	Approx. 9.84 megapixels (4206 x 2340)
Effective Pixels	Approx. 8.29 megapixels (3840 x 2160 pixels)
Processor	DIGIC DV 4
Color Filter	RGB Primary Color Filter (Bayer Array)

Lens System
Lens Mount	Canon EF mount with EF contacts
ND Filters	Clear, 2 stops (1/4), 4 stops (1/16), 6 stops (1/64)
Iris Dial	Manual setting in 1/2-step increments, 1/3-step increments, or fine Push auto iris control
Peripheral Illumination Correction	On supported Canon EF, EF-S, and Cinema lenses

Exposure Control
Exposure Modes	Manual Push Auto Iris Control (metering system selection/AE shift possible)
Metering Modes	Standard Center Weighted, Spotlight, Backlight
Gain	Normal: -6 to 30 dB TBD Fine: 0 to 24 dB, in 0.5 dB increments
ISO Range	320 to 102,400 in 1/3-step increments
Shutter Modes	OFF, ISO Speed, Shutter Angle, Slow Shutter, or Clear Scan Speed setting can be set in 1/2 or 1/3 stop increments
Shutter Speed Range	59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: , 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: , 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz 23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz 50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz
Shutter Angle Settings	59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25 PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25 23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25 50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25 PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25

Focus Control
Settings	Manual One-Shot AF Continuous AF
Autofocus	AF is dependent on interchangeable lenses Dual Pixel CMOS AF with Canon EF, EF-S, and Cinema lenses

Video
Signal System	NTSC and PAL
Recording Format	Compression: MPEG-4, AVC/H.264, MP4 Maximum bit rate: AVCHD 28Mb/s, MP4 35Mb/s
Frame Rates	AVCHD 1920 x 1080p: 59.94. 50, 23.98 1920 x 1080i: 59.94, 50 1920 x 1080PF: 29.97, 25 MP4 1920 x 1080p: 59.94, 50, 29.97, 25, 23.98 1280 x 720p: 29.97, 25, 23.98 640 x 360p: 29.97, 25, 23.98

Audio
Audio Record Mode	AVCHD 28 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz 24 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz All other modes: Dolby Digital AC3
Built-In Microphone	Monaural microphone in camera body Stereo microphone in Handle Unit
Audio Inputs	2 x XLR on top handle (Auto and Manual level settings) 1 x 3.5 mm terminal
XLR Mic Trimming	-12, -6, 0, +6, or +12 dB
Limiter	Available
Audio Level Control	Infinity to +18 dB, Automatic Separate controls for internal and externally connected microphones
Phantom Power	+48 V
Headphone Output Level	16 Settings; volume is muted at lowest setting
Built-in Speaker	Yes; 16 level settings
Tone	1 KHz tone available; -12, -18, or -20 dB

Media
Recording Media	2 x SD/SDHC/SDXC card slots File system: FAT 32
Maximum Recording Time	AVCHD 8GB SD Memory Card 28 Mb/s 1920 x 1080: 35 minutes 24 Mb/s 1920 x 1080: 40 minutes 17 Mb/s 1920 x 1080: 1 hour 7 Mb/s 1440 x 1080: 2 hours 20 minutes 16GB SD Memory Card 28 Mb/s 1920 x 1080: 1 hour 15 minutes 24 Mb/s 1920 x 1080: 1 hour 25 minutes 17 Mb/s 1920 x 1080: 2 hours 5 minutes 7 Mb/s 1440 x 1080: 4 hours 45 minutes 32GB SD Memory Card 28 Mb/s 1920 x 1080: 2 hours 30 minutes 24 Mb/s 1920 x 1080: 2 hours 55 minutes 17 Mb/s 1920 x 1080: 4 hours 10 minutes 7 Mb/s 1440 x 1080: 9 hours 35 minutes 64GB SD Memory Card 28 Mb/s 1920 x 1080: 5 hours 24 Mb/s 1920 x 1080: 5 hours 55 minutes 17 Mb/s 1920 x 1080: 8 hours 20 minutes 7 Mb/s 1440 x 1080: 19 hours 10 minutes 128GB SD Memory Card 28 Mb/s 1920 x 1080: 10 hours 10 minutes 24 Mb/s 1920 x 1080: 11 hours 55 minutes 17 Mb/s 1920 x 1080: 16 hours 45 minutes 7 Mb/s 1440 x 1080: 38 hours 25 minutes MP4 8GB SD Memory Card 35 Mb/s 1920 x 1080: 30 minutes 24 Mb/s 1920 x 1080: 40 minutes 17 Mb/s 1920 x 1080: 1 hour 4 Mb/s 1280 x 720: 4 hours 20 minutes 3 Mb/s 640 x 360: 5 hours 40 minutes 16GB SD Memory Card 35 Mb/s 1920 x 1080: 60 minutes 24 Mb/s 1920 x 1080: 1 hour 25 minutes 17 Mb/s 1920 x 1080: 2 hours 5 minutes 4 Mb/s 1280 x 720: 8 hours 40 minutes 3 Mb/s 640 x 360: 11 hours 25 minutes 32GB SD Memory Card 35 Mb/s 1920 x 1080: 2 hours 24 Mb/s 1920 x 1080: 2 hours 55 minutes 17 Mb/s 1920 x 1080: 4 hours 10 minutes 4 Mb/s 1280 x 720: 17 hours 20 minutes 3 Mb/s 640 x 360: 22 hours 55 minutes 64GB SD Memory Card 35 Mb/s 1920 x 1080: 4 hours 24 Mb/s 1920 x 1080: 5 hours 55 minutes 17 Mb/s 1920 x 1080: 8 hours 20 minutes 4 Mb/s 1280 x 720: 34 hours 45 minutes 3 Mb/s 640 x 360: 45 hours 55 minutes 128GB SD Memory Card 35 Mb/s 1920 x 1080: 8 hours 24 Mb/s 1920 x 1080: 11 hours 55 minutes 17 Mb/s 1920 x 1080: 16 hours 45 minutes 4 Mb/s 1280 x 720: 69 hours 30 minutes 3 Mb/s 640 x 360: 91 hours 55 minutes
Simultaneous REC./Relay REC.	Yes

Display
Type	3.5" / 8.9 cm, OLED 640 x 480 922,000 pixels
Adjustments	Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)

Viewfinder
Type	0.24" (0.61 cm) color 960x540 resolution 1,560,000 pixels
Diopter Adjustment	+2.0 to -5.5
Adjustments	Brightness, Contrast, Color, and Backlight

Inputs/Outputs
HDMI Output	1 x Type A
Timecode	Embedded in HDMI output
Audio Input	2 x Balanced 3-pin XLR on top handle unit 1 x 3.5 mm input jack on main body
Headphone Jack	1 x 3.5mm stereo mini-jack
Remote Terminal	LANC compatible
USB	1 x Mini-B USB 2.0

General
White Balance	Auto, Kelvin, Daylight, Tungsten, Set A, Set B White balance shift is available within Presets (-9 to +9)
Waveform Monitor	2 Modes (Standard and RGB Component)
Minimum Subject Illumination	59.94 Hz: 0.3 lux 50 Hz: 0.25 lux
Language Support	English, Japanese, Simplified Chinese, German, Spanish, French, Italian, Polish, Russian, Korean
Power Supply	7.4 V DC (battery pack: BP-955) 8.4 V DC (DC IN)
Operating Temperature	Performance requirements 32 - 104F (0 - 40C), 85% relative humidity Operating requirements: 32 - 113F (0 - 45C), 60% relative humidity
Dimensions (W x H x D)	Body with Thumb Rest: 5.3 x 6.7 x 5.1 in (13.5 x 17 x 12.9 cm) Body with Grip: 7.2 x 6.7 x 5.1 in (18.2 x 17 x 12.9 cm) W/ Thumb Rest and handle: 5.6 x 11.1 x 9.3 in (14.2 x 28.1 x 23.6 cm) W/ Grip and handle: 7.2 x 11.1 x 9.3 in (18.2 x 28.1 x 23.6 cm)
Weight	Body only: approx. 2.2 lb (1.0 kg) Grip: approx. 8.1 oz (230 g) BP-955 Battery: 7.8 oz (220 g)

Packaging Info
Box Dimensions (LxWxH)	14.5 x 12.0 x 12.0"

EF 16-35mm f/2.8L II USM Lens

Performance
Focal Length	16 - 35mm Comparable APS-C 1.6x Focal Length: 25.6 - 56 mm
Aperture	Maximum: f/2.8 Minimum: f/22
Camera Mount Type	Canon EF
Format Compatibility	35mm Film / Full-Frame Digital Sensor Canon (APS-C)
Angle of View	10810' - 63
Tilt/Shift	None
Minimum Focus Distance	11.2"(28 cm)
Magnification	0.22x
Maximum Reproduction Ratio	1:5
Elements/Groups	16/12
Diaphragm Blades	7

Features
Image Stabilization	No
Autofocus	Yes
Tripod Collar	No

Physical
Filter Thread	Front: 82 mm
Dimensions (DxL)	Approx. 3.48 x 4.39" (88.5 x 111.6 mm)
Weight	1.4 lb (635 g)

Packaging Info
Box Dimensions (LxWxH)	8.2 x 5.4 x 5.4"

EF 24-70mm f/2.8L II USM Lens

Performance
Focal Length	24 - 70mm
Aperture	Maximum: f/2.8 Minimum: f/22
Camera Mount Type	Canon EF
Format Compatibility	35mm Film / Full-Frame Digital Sensor Canon (APS-C)
Angle of View	84 - 34
Minimum Focus Distance	1.25'(38 cm)
Magnification	0.21x
Elements/Groups	18/13
Diaphragm Blades	9

Features
Image Stabilization	No
Autofocus	Yes
Tripod Collar	No

Physical
Filter Thread	Front:82 mm
Dimensions (DxL)	Approx. 3.48 x 4.45" (88.5 x 113 mm)
Weight	28.40 oz (805 g)

Packaging Info
Box Dimensions (LxWxH)	9.1 x 6.1 x 6.0"

EF 70-200mm f/2.8L IS II USM Lens

Performance
Focal Length	70 - 200mm
Aperture	Maximum: f/2.8 Minimum: f/32
Camera Mount Type	Canon EF
Format Compatibility	35mm Film / Full-Frame Digital Sensor Canon (APS-C)
Angle of View	34 - 12
Minimum Focus Distance	3.94'(1.2 m)
Magnification	0.21 - 12.1x
Maximum Reproduction Ratio	1:5
Elements/Groups	23/19
Diaphragm Blades	8