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ARRI ALEXA 35 Premium Production Set (19mm Studio)

ARRI ALEXA 35 Premium Production Set (19mm Studio)

SKU K0.0041726
Save 1% Save 1%
$86,270.00
$86,270.00 - $86,270.00
$86,270.00
$85,770.00
$85,770.00 - $85,770.00
$85,770.00

The ARRI ALEXA 35 redefines digital cinema capture with its Super 35-format 4K.6 sensor, offering an industry-leading 17 stops of dynamic range for exceptional detail in highlights and shadows. This premium production set includes the ALEXA 35 camera, Cine License, LPL mount, and PL to LPL adapter. It features robust MFX/ARRIRAW and Apple ProRes recording up to 4.6K and 120p to 1 or 2TB Codex drives. Designed for professional use, its compact, rugged form factor integrates a full feature set for superior cinematic image acquisition.

Key Features
  • 4.6K Super 35 ARRI ALEV 4 CMOS Sensor
  • Up to 4.6K 4608 x 3164, Cine License
  • LPL Mount (LBUS), PL to LPL Adapter
  • Production Cage System, BUD-1 Dovetail
  • MXF/ARRIRAW & MXF/Apple ProRes 4444 XQ
  • MVF-2 HDR EVF, B-Mount Battery Plate
  • Power Distribution Module PDM-1
  • 1 x Power Cable, 2 x EVF Cables
  • 17 Stops of Dynamic Range
  • Motorized ND Filters, Compact Design

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ARRI ALEXA 35 Premium Production Set (19mm Studio)

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Features

ALEXA 35: The New Super 35 Gold Standard
ARRI once again raises the bar for digital cinema capture with the ALEXA 35, a Super 35-format camera boasting a new 4:3 4K.6 sensor that delivers 2.5 of additional dynamic range, improved performance in low light, and richer, more accurate color reproduction.
Premium Production Set
This Premium Production Set combines the ALEXA 35 camera with a Cine License, both an LPL mount and a PL to LPL adapter, a B-mount battery plate, a PDM-1 Power Distribution Module, a cage-type set with both 19mm studio and 15mm LWS rod supports, a baseplate, and a dovetail. Compact and easy to operate, the ALEXA 35 offers both MFX/ARRIRAW and MFX/Apple ProRes capture to 1 or 2TB Codex drives with resolutions up to 4.6K and frame rates up to 120p.
ARRI Alexa 35 | First Look
ALEXA 35 First Encounters (multilingual - choose your subtitles EN, FR, ES, PT, KO, JA)
ARRI Tech Talk: ALEXA 35 - Fast and Easy Operation (Subtitles in EN, ES, IT, PT, JP)
 
4.6K Super 35 ARRI ALEV 4 CMOS Sensor
Key to the ALEXA 35's amazing image quality is a new 4.6K Super 35 CMOS sensor offering 17 stops of dynamic range, which is a robust 2.5 stops greater than prior ARRI cameras. Those 2.5 stops are split between 1.5 stops at the top end, resulting in filmlike highlight roll-off, and 1 stop at the lower end to see even deeper into shadows without overexposing other areas. Ideal for HDR projects and any backlit setups, the ALEXA 35's wide dynamic range can also be a boon when tweaking your images in post.
Video Recording Formats
In-camera down-sampling and anamorphic de-squeezing enable the ALEXA 35 to offer a robust array of 19 ARRIRAW and Apple ProRes recording formats with different resolutions, data rates, aspect ratios, and other factors, suiting the camera to a range of production styles. Recording resolutions include 4.6, 4, 3.3, 3, 2.7, and 2K options.
Stray Light Suppression
Stray-light suppression technology is used in both the camera and the new ARRI PL (Hirose or LBUS) lens mounts to deliver the full contrast range from your choice of lenses while eliminating any grayish tones.
High ISO Camera
With an EI of 160 to 6400, the ALEXA 35 offers higher sensitivity and lower noise than ever before in the ARRI lineup, even in low-light settings. An optional Enhanced Sensitivity Mode (EI 2560-6400) works with the camera's wide dynamic range to produce nuanced images in darker environments and is ideal for impromptu or available-light capture.
REVEAL Color Science
The ALEXA 35 expands your creative control options using the new REVEAL color science, color matching with existing ARRI cameras, and multiple Texture Files that bestow an ability to select looks akin to choosing a film stock, both during capture and in post-production. Created with the input of both cinematographers and colorists, ARRI’s REVEAL color science employs six factors to create improved color, contrast, sensitivity, and dynamic range.

 

 

  • A new debayering algorithm combines with the ALEXA 35’s impressive processing power to create cleaner-edged images that are perfect for compositing work.
  • The new ACE4 color engine converts RGB image data into the ARRI Wide Gamut color space (AWG4), producing more accurate colors and improving color saturation and tracking, even with subtle tones and lower light levels.
  • The AWG4 camera color space is larger than Rec. 2020 but bypasses "virtual" colors that are outside the human visual spectrum, providing faster grading, easier color space conversion, and compatibility with the ACES system.
  • A new Log-C 4 tonal curve enables the ALEXA 35’s larger 17-stop dynamic range; note that the Log-C 4 look appears darker before conversion to Rec. 709 or another color space.
  • New LUTs use the improved sensor, color space, and Log-C 4 to produce optimal shadow tonality, color fidelity, and color-grading base. These new LUTS must be used with Log-C 4; they do not offer the manual control that some used with Log-C 3.
  • The ALEXA 35 offers backward compatibility for intercutting with ALEXA, ALEXA Mini, and AMIRA images, and the ALEXA Mini LF and ALEXA LF images may be processed via REVEAL to match your ALEXA 35 footage. Processed images will not offer the higher dynamic range or ARRI Textures but will have cleaner edges, better color, easier grading, and ACES, Log-C 4, and new LUT compatibility.
Versatile Lens Choices
  • This Lightweight Set comes with both an LBUS LPL mount and a PL to LPL adapter, providing compatibility with a wide array of cine-style lenses.
  • Additional lens mount adapters are available separately, offering access to a vast selection of existing modern and vintage lenses in spherical, anamorphic, Super 35, and large format options.
  • The ALEXA 35 is compatible with all common metadata standards and can stream metadata in real time using an optional plug-in.
Full Feature Set in a Compact Form
At 8 x 6 x 5.8", the ALEXA 35's compact, rugged form is similar to that of the ALEXA Mini, but it incorporates the features of the larger ALEXA camera. Although housed in a compact form, the ALEXA 35 camera incorporates a full feature set, including a left-side display, independent SDI outputs, audio inputs, motorized ND filters, two wireless radios, and both 12 and 24V accessory ports. Assistants and operators will appreciate familiar features like a simple menu structure, recording to 1 or 2TB Codex Compact drives, and a temperature-resistant, splash- and dust-proof housing. Updates include the addition of HDR viewing with the MVF-2 viewfinder, adjustable SDI text overlay, the ability to turn individual frame lines on and off, and Info Panels that present camera information in an easy-to-read form.
Interfaces
  • Left display: The new left-side display is ideal for stabilizer, drone, and crane use, enabling you to view the status and change settings without having an EVF attached. You can even select the ND filter setting to show as the display "screensaver", creating a quick visual reminder for any stop compensation needed.
  • Connectors: The right side of the ALEXA 35 offers a full interface, including a second EVF port, two 1.5/3/6/12G-SDI outputs with a return option on the second one, timecode in/out, and both 12 and 24V accessory output ports.
  • Ethernet: An Ethernet port offers real-time streaming of metadata for use in mixed-reality productions (MRP).
Audio Options
The ALEXA 35's audio options include two internal microphones, one 6-pin LEMO input, one 3.5mm headphone jack, embedded SDI audio, and compatibility with the AEM-1 audio module.
Dedicated Accessories
  • Mechanical accessories in this 19mm Production Set include dedicated top, side, and bottom components like an EVF support, a top plate and top handle, a bridge plate adapter, side brackets, and a baseplate and dovetail system.
  • Electronic accessories include the Multi Viewfinder MVF-2 and PDM-1 power distribution module, which are part of this set, and the separately available AEM-1 audio extension module with one AES3/AES42 and two mic/line mini-XLR inputs.
24V B-Mount Battery Power
The 24V ALEXA 35 camera can be powered using the included ARRI B-Mount battery adapter and separately available batteries. The versatile B-Mount system can also power both 12 and 24V accessories, saving you the weight and space required when using two separate batteries. Third-party adapters from Anton Bauer, Hawk-Woods, and CORE SWX can be used with compatible 26V batteries. A PDM-1 Power Distribution Module is also available separately for adding seven more accessory power ports.
ARRI Tools and Apps
Make both capture and post-production easier with the range of free tools, apps, and tutorials found on the ARRI website. Use the Camera Companion app for single or multicamera remote control, the ARRIRAW HDE Transcoder for reducing ARRIRAW file sizes, and the ARRI Reference tool to create and look at files for SDR and HDR conversions and to export Apple ProRes, OpenEXR, and TIFF files.

Item Includes

  • ARRI ALEXA 35 Premium Production Set (19mm Studio)
  • ALEXA 35 Camera Body
  • ALEXA 35 Cine License
  • ARRI LPL Mount (LBUS)
  • ARRI PL-to-LPL Lens Adapter
  • ARRI Balance Utility Dovetail BUD-1
  • ARRI B-Mount Battery Adapter
  • ARRI ALEXA Mini LF MVF-2 Set
  • ARRI ALEXA Mini/AMIRA Straight Power Cable KC-50 (6.6')
  • ARRI Power Distribution Module PDM-1 for ALEXA 35
  • ARRI Production Support Set (Top)
  • ARRI Production Support Set (Side)
  • ARRI Production Support Set (Bottom, 19mm)
  • Limited 1-Year Manufacturer Warranty
  • Not Included
  • Essential Recording Media
  • Essential Cine Lenses
  • Essential Batteries

Item Includes

Lens Mount

Interchangeable Mount with Included ARRI PL/ARRI LPL

Image Sensor

Super35 CMOS

Sensor Resolution

Effective: 14.58 Megapixel (4608 x 3164)

Image Stabilization

No

ISO/Gain Sensitivity

Native: 160 to 6400

Internal Recording

ARRIRAW

4608 x 3164 from 0.75 to 75 fps

3072 x 3072 from 0.75 to 100 fps

3328 x 2790 from 0.75 to 100 fps

4608 x 2592 from 0.75 to 75 fps

4096 x 2304 from 0.75 to 120 fps

4096 x 2048 from 0.75 to 120 fps

ProRes 4444/ProRes 422 HQ/MXF/ProRes 4444XQ

4608 x 3164 from 0.75 to 59.94 fps

3072 x 3072 from 0.75 to 90 fps

3328 x 2790 from 0.75 to 75 fps

4096 x 2304 from 0.75 to 100 fps

3840 x 2160 from 0.75 to 120 fps

4096 x 2048 from 0.75 to 120 fps

2048 x 1152 from 0.75 to 120 fps

1920 x 1080 from 0.75 to 120 fps

*Sensor Crops Video

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Media/Memory Card Slot

Single Slot: Codex Compact Drive

Video I/O

1x BNC (12G-SDI) Output

1x BNC (12G-SDI) Input/Output

Mobile App Compatible

Yes: iOS & watchOS

Imaging

Lens Mount

Interchangeable Mount with Included ARRI PL/ARRI LPL

Lens Communication

Yes

Image Sensor

Super35 CMOS

Sensor Resolution

Effective: 14.58 Megapixel (4608 x 3164)

Image Stabilization

No

Built-In ND Filter

Mechanical Filter Wheel with Clear, 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64) ND Filters

Internal Filter Holder

No

Capture Type

Video Only

Exposure Control

Shutter Type

Electronic Rolling Shutter

Shutter Speed

1/8000 to 1 Second

Shutter Angle

5 to 356°

ISO/Gain Sensitivity

Native: 160 to 6400

Advertised Dynamic Range

17 Stops

White Balance

Range: 2000 to 11,000K

Focus

Focus Mode

Manual Focus Only

Video Capture

Internal Recording

ARRIRAW

4608 x 3164 from 0.75 to 75 fps

3072 x 3072 from 0.75 to 100 fps

3328 x 2790 from 0.75 to 100 fps

4608 x 2592 from 0.75 to 75 fps

4096 x 2304 from 0.75 to 120 fps

4096 x 2048 from 0.75 to 120 fps

ProRes 4444/ProRes 422 HQ/MXF/ProRes 4444XQ

4608 x 3164 from 0.75 to 59.94 fps

3072 x 3072 from 0.75 to 90 fps

3328 x 2790 from 0.75 to 75 fps

4096 x 2304 from 0.75 to 100 fps

3840 x 2160 from 0.75 to 120 fps

4096 x 2048 from 0.75 to 120 fps

2048 x 1152 from 0.75 to 120 fps

1920 x 1080 from 0.75 to 120 fps

*Sensor Crops Video

Fast-/Slow-Motion Support

Yes

Gamma Curve

ARRI Log C4, Rec 2100 HLG, Rec 2100 PQ, Rec709, Rec2020

Built-In Microphone

Stereo

Audio Recording

4-Channel, 24-Bit at 48 kHz via LPCM Audio

Interface

Media/Memory Card Slot

Single Slot: Codex Compact Drive

Internal Storage

No

Video I/O

1x BNC (12G-SDI) Output

1x BNC (12G-SDI) Input/Output

Audio I/O

1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output

1x 6-Pin LEMO Line Input

Power I/O

1x LEMO 8-Pin (20.5 to 33.6VDC) Input

Other I/O

2x CoaXPress Viewfinder

1x LEMO 4-Pin Control Input/Output

1x LEMO 4-Pin (Serial) Data Input/Output

1x LEMO 5-Pin (Timecode) Input/Output

1x LEMO 10-Pin (Ethernet) Control

1x BNC (Sync) Input/Output

1x USB-C Data Input/Output

1x Pogo 5-Pin

1x pogo 18-Pin

Wireless

802.11b/g Wi-Fi

Mobile App Compatible

Yes: iOS & watchOS

Global Positioning (GPS, GLONASS, etc.)

No

Monitor

Display Type

Primary Monitor: Included External 4" Non-Touchscreen LCD

Status Display: Fixed Non-Touchscreen LCD

Resolution

Primary Monitor: 800 x 400

Viewfinder

Type

Removable Electronic (OLED)

Resolution

1920 x 1080

Power

Power Consumption

90 W

Environmental

Operating Conditions

12 to 77°F / -20 to 45°C

Storage Conditions

-22 to 158°F / -30 to 70°C

General

Tripod Mount

1/4"-20 Female

3/8"-16 Female

Netflix Approved

Yes

Materials

Aluminum

Dimensions (W x H x D)

8 x 6 x 5.8" / 203 x 152.5 x 147 mm

Weight

6.4 lb / 2.9 kg (With Antennae, Lens Mount Adapter)

Packaging Info

Package Weight

30.535 lb

Box Dimensions (LxWxH)

24.3 x 20.1 x 19.2"


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