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Canon EOS C100 Mark II Body with Dual Pixel CMOS AF w/ Dual 256GB Studio Bundle

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Canon EOS C100 Mark II Body with Dual Pixel CMOS AF w/ Dual 256GB Studio Bundle

SKU 0202C002K5
$3,444.00 - $3,444.00
$3,444.00
$3,444.00 - $3,444.00
$3,444.00
  • Super 35mm 8.3MP CMOS Sensor + EF Mount
  • 1920x1080p 59.94/50/29.97/25/23.98
  • Built-In Dual Pixel CMOS AF Hardware
  • AVCHD + MP4 Recording
  • Dual SDHC/SDXC Media Card Slots
  • HDMI Output with Timecode & Canon Log
  • ISO 320 to 102,400
  • Canon Log and Wide DR Gamma
  • Two XLR Audio Connectors
  • Built-In 2.4 GHz & 5 GHz WiFi Capability

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Canon EOS C100 Mark II Body with Dual Pixel CMOS AF w/ Dual 256GB Studio Bundle

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Features

The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is Canon's updated version of the C100 designed for event videographers,documentarians, and independent filmmakers. It incorporates the continuous autofocus function compatible with all Canon autofocus lenses, using Dual PixelCMOS AF technology. This new feature provides faster and more accurate autofocusing to assist users when operating with small crews.

The Mark II also adds a variety of upgraded features including face detection AF, MP4 recording, additional frame rates when recording in AVCHD and slow& fast motion options when recording in MP4. The Mark II also has an additional microphone on the camera body for recording sound when the top handleis removed. It incorporates a 3.5" OLED display with increased resolution, and the EVF is now almost twice as large as on the original C100 and tilts aswell. The Mark II supports GPS, and features built-in wireless functionality. The HDMI output supports timecode, as does the original C100, but it alsosupports Canon Log LUT.

The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. With an EF lens mount, thecamera is compatible with the full range of Canon EF, EF-S, and EF Cinema lenses. This is particularly useful for DSLR shooters who have already investedin Canon lenses. The camera uses the AVCHD codec to record 1080p video up to 24 Mbps. It supports dual SD/SDHC/SDXC memory cards which, thanks to theefficient AVCHD codec, allows you to record nearly three hours of HD video on a single 32GB card. For professional applications, you can also record clean,uncompressed 4:2:2 video with embedded timecode via the HDMI output.

The ergonomic design of the EOS C100 Mark II is streamlined to support one-person shoots. Weighing only 2.2 pounds in its basic configuration, the camera'sflexible modular design supports a variety of shooting styles. Additional features such as One-Shot AF and Push Auto Iris allow operators to spend lesstime checking camera settings and more time capturing cinematic footage.

Dual Pixel CMOS AF Technology
The Continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you changethe image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot movingsubjects, or who want smoother, more natural-looking autofocus.

Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. Bycontinuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions evenwhen the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smoothautofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
Continuous Recording
The continuous, nonstop recording function allows you to create In and Out points in the footage every time the START/STOP button is pressed. Atthis time, the continuous recording function is compatible with Grass Valley's EDIUS Pro 7 software.
320 to 102,400 ISO Range
With an extended ISO range from 320 to 102,400, the EOS C100 Mark II is even more sensitive to light than its predecessor. This lets you shootusable footage during low-light and night shoots, even when using available or ambient lighting as your main light source. Being able to operateunder lower light levels means you can work quickly with smaller crews and resources, ideal for low-budget and independent filmmakers.
Menu Navigation via Camera Buttons
Internal camera menus are now controllable from buttons on the camera body. While previously a removable joystick was the only way to control theinternal menus, now buttons on the rear of the camera under the built-in monitor can be used. This lets you access the menus when the side grip isremoved.
Viewfinder Magnification Location Shift
Manually move the center of the camera's magnification viewing area to one of 25 different locations throughout the image frame using the joystick.Now camera operators can easily check focus even on subjects that are located away from the center of the image frame.
Record Button Lock
The Key Lock setting now makes it possible to lock all operations, including the record button. This helps to prevent accidental operation during acritical shoot by the operator inadvertently pressing a wrong button
Super 35mm 8.3MP CMOS Sensor
The Super 35mm-sized sensor provides an angle-of-view and depth of field that equivalent to that of traditional Super 35mm film. With a nativeresolution of 8.3MP and a wider pixel pitch than conventional professional camcorders, the sensor offers enhanced sensitivity and reduced noise inlow light environments.
DIGIC DV 4 Image Processor
Designed and built by Canon for the highest HD RGB processing, the DIGIC DV 4 Image Processor uses proprietary circuits and architecture to deliverthe highest image quality at the highest speeds, with low power consumption and minimal heat output. It processes the RGB representations thatoriginate in the single CMOS sensor of the camera into three channels (Red, Blue, and Green) to maintain the rich resolution and clean colorfidelity formerly possible only in three-chip sensor designs.
Low Light Sensitivity
Working together, the Super 35mm sensor and DIGIC DV 4 Image Processor achieve a high signal-to-noise ratio that enables recordings with greatdetail and dynamic range even in minimal light.
Canon Log Gamma and Wide DR Gamma
Canon Log records an image with subdued contrast and sharpness, which preserves a high dynamic range and presupposes color grading in postproduction. Canon Log Gamma emphasizes rich gradients from mid-range to highlights, resulting in 12-stops of dynamic range. At ISO 850 and above,Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in colorgrading.

Wide DR Gamma yields wide dynamic range by suppressing brightness while maintaining gradations, but is designed to produce finished-looking imageswithout requiring any color grading in post-production.
EF Lens Mount with EF Contacts
The camera is fully compatible with Canon's renowned EF mount lenses. Even specialty lenses, such as Canon's 24mm f/3.5L II tilt shift lens or the8-15mm f/4L Ultra-Wide Zoom fisheye lens. When shooting with EF lenses, the camera features peripheral illumination correction, which automaticallycompensates for light fall-off in the corners of the image.
Multiple Recording Modes and Frame Rates in AVCHD
The camera supports AVCHD bit rates up to 24 Mbps (LPCM) at a maximum resolution of 1920x1080. Frame rates of 59.94p, 50p, 59.94i, 50i, 24p, 25p,PF30, and PF24 are all available to meet the needs of your production workflow. It supports relay recording of long takes between dual SD cards orcan write video to both cards for redundancy in the event of SD card failure. Pre REC mode buffers approximately three seconds before the tallylight activates.
Multiple Recording Modes and Frame Rates in MP4
The C100 Mark II supports recording in 1920 x 1080p recording to MP4, at multiple frame rates, and also supports 720p and 640 x 360 frame sizes.
Uncompressed HDMI Out with Timecode & Canon Log LUT Support
Outputting an uncompressed signal via HDMI. This signal can superimpose timecode and the 2:3 pulldown marker, which means an external recorder andconverter can process the HDMI output as an SDI signal. External recorders provide an instant back-up and help to streamline post-productionworkflows. The HDMI output also supports Canon Log LUT output.
Compact and Ergonomic Design
Designed with the solo shooter in mind it is 85% the size of the Canon C300, and it is based on a mobile core design that allows additionalaccessories to be attached depending on the situation. Strip the camera down for a "run-and-gun" style, or complement the camera with the fullrange of camera-mounted accessories. With a compact body, you can even shoot dual-camera 3D without an over-sized and cumbersome rig. Its lightweight reduces user fatigue and allows even elaborate rigging systems to remain mobile enough for a single operator. The removable accessory handgrip rotates 360 degrees for comfortable shooting positions, while customizable hardware buttons allow the camera to fit your own personal shootingpreferences.
Removable Top Handle with XLR Inputs and Stereo Microphone
Including a top mounted handle unit, which features two XLR connectors and a microphone shock mount. XLR connections offer a high quality audioinput for professional grade microphones and facilitate 2 channel 48kHz linear PCM (24 Mbps) audio recordings.
High Resolution EVF and Integrated OLED Display
Accurately check focus, composition, and exposure with the 1.23 million dot-equivalent 0.45" electronic viewfinder with 100% coverage. The built-in3.5" 1.23MP equivalent OLED panel tilts 100 degrees for flexibility when composing tough perspective shots and rotates 180 degrees to protect thescreen when not in use. Use the LCD display to review footage or to view the camera's waveform monitor.
AVCHD or MP4 File Based Recording to SD Cards
The camera records video to SDHC/SDXC cards using AVCHD, a high-efficiency codec that has quickly become a standard in both the professional andconsumer video markets. Maximum bit-rate is 24 Mbps. Video files greater than 2GB are split into multiple files while recording, which areautomatically joined together upon import using Canon Data Import. AVCHD video is widely supported across NLE systems and is the standard codec forBlu-Ray.

The camera records using the MP4 codec, and can record in fast motion (25% faster) or slow motion (40% slower) in MP4 recording mode.
Full Manual Control and Focusing Aids
The camera offers complete manual control of each aspect of the recording process. Create and recall custom picture settings, camera functions, anddisplay options. The camera also features several powerful and intuitive focusing aids in both the EVF and LCD monitor that make it easy to confirmcritical focus distance; Peaking Modes and Magnify Focus Modes are available while in standby or while recording. Additionally, the LCD featuresEdge Monitor Display; green waveform display the overall focus of the scene and red waveform provide focus feedback of the three focus check boxesvisible on the LCD monitor.
One Shot AF and Push Auto Iris
One-Shot AF executes focus adjustments with a dedicated button, and the Push Auto Iris button automatically adjusts the aperture of the lens toquickly and easily maintain proper exposure. Both of these functions can be accessed even when operating in manual mode.
Built-In ND Filters
In excessively bright environments neutral density filters are often required to avoid over exposure, without compromising desirable shutter andaperture settings. It features built-in ND filters in three densities, which make for four ND configurations (OFF, 2 stops, 4 stops, 6 stops). Thebuilt-in ND filters are deployed via a manual dial.
Remote Terminal
Remotely control the camera via its LANC-compatible remote terminal. Remote operation allows for single-person operation even in creative riggingsituations.
Additional Features
  • Waveform monitor; standard and RGB modes
  • Exposure/Focus aids: Peaking, Zebra, Magnify, Edge Monitor Focus Assist, Black and White Mode
  • Drop Frame (DF) or Non-Drop Frame (NDF) Timecode
  • Timecode modes: Regen, Record Run, Free Run
  • Nice Customized Picture Profiles available in camera and up to 20 can be saved to an SD card
  • Custom picture profiles can be adjusted using the following settings: Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, NoiseBalance, Color Correction, Setup Level
  • 15 assignable function buttons
  • SMPTE, EBU, or ARIB standard color bars can be selected

Item Includes

Canon EOS C100 Mark II Body with Dual Pixel CMOS AF

In the Box

  • Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF (Body Only)
  • Eyecup
  • Handle Unit
  • Thumb Rest
  • Canon TB-1 Tripod Adapter Base
  • Shoulder Strap SS-1200
  • Canon BP-955 Intelligent Lithium-Ion Battery Pack (4900mAh)
  • Battery Charger
  • Compact Power Adapter CA-940N
  • DC Cable (for CA-930)
  • AC Cable
  • CD-ROM with Data Import Utility Ver. 1.0
  • Limited 1-Year Warranty

Also Included:

2x 256gb memory card

spare batteries,rode mic, led lights,carry case and canon lens 24-105mm

Item Includes

Image Sensor
SensorSuper 35mm CMOS (24.6 x 13.8 mm) (28.2 mm diagonal)
Total PixelsApprox. 9.84 megapixels (4206 x 2340)
Effective PixelsApprox. 8.29 megapixels (3840 x 2160 pixels)
ProcessorDIGIC DV 4
Color FilterRGB Primary Color Filter (Bayer Array)
Lens System
Lens MountCanon EF mount with EF contacts
ND FiltersClear, 2 stops (1/4), 4 stops (1/16), 6 stops (1/64)
Iris DialManual setting in 1/2-step increments, 1/3-step increments, or fine
Push auto iris control
Peripheral Illumination CorrectionOn supported Canon EF, EF-S, and Cinema lenses
Exposure Control
Exposure ModesManual
Push Auto Iris Control (metering system selection/AE shift possible)
Metering ModesStandard Center Weighted, Spotlight, Backlight
GainNormal: -6 to 30 dB TBD
Fine: 0 to 24 dB, in 0.5 dB increments
ISO Range320 to 102,400 in 1/3-step increments
Shutter ModesOFF, ISO Speed, Shutter Angle, Slow Shutter, or Clear Scan

Speed setting can be set in 1/2 or 1/3 stop increments
Shutter Speed Range59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: , 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz

PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: , 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz

23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz

50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz

PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz
Shutter Angle Settings59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25

50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25

PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
Focus Control
SettingsManual
One-Shot AF
Continuous AF
AutofocusAF is dependent on interchangeable lenses
Dual Pixel CMOS AF with Canon EF, EF-S, and Cinema lenses
Video
Signal SystemNTSC and PAL
Recording FormatCompression: MPEG-4, AVC/H.264, MP4
Maximum bit rate: AVCHD 28Mb/s, MP4 35Mb/s
Frame RatesAVCHD
1920 x 1080p: 59.94. 50, 23.98
1920 x 1080i: 59.94, 50
1920 x 1080PF: 29.97, 25


MP4
1920 x 1080p: 59.94, 50, 29.97, 25, 23.98
1280 x 720p: 29.97, 25, 23.98
640 x 360p: 29.97, 25, 23.98
Audio
Audio Record ModeAVCHD
28 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz
24 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz
All other modes: Dolby Digital AC3
Built-In MicrophoneMonaural microphone in camera body
Stereo microphone in Handle Unit
Audio Inputs2 x XLR on top handle (Auto and Manual level settings)
1 x 3.5 mm terminal
XLR Mic Trimming-12, -6, 0, +6, or +12 dB
LimiterAvailable
Audio Level ControlInfinity to +18 dB, Automatic
Separate controls for internal and externally connected microphones
Phantom Power+48 V
Headphone Output Level16 Settings; volume is muted at lowest setting
Built-in SpeakerYes; 16 level settings
Tone1 KHz tone available; -12, -18, or -20 dB
Media
Recording Media2 x SD/SDHC/SDXC card slots
File system: FAT 32
Maximum Recording TimeAVCHD
8GB SD Memory Card
28 Mb/s 1920 x 1080: 35 minutes
24 Mb/s 1920 x 1080: 40 minutes
17 Mb/s 1920 x 1080: 1 hour
7 Mb/s 1440 x 1080: 2 hours 20 minutes

16GB SD Memory Card
28 Mb/s 1920 x 1080: 1 hour 15 minutes
24 Mb/s 1920 x 1080: 1 hour 25 minutes
17 Mb/s 1920 x 1080: 2 hours 5 minutes
7 Mb/s 1440 x 1080: 4 hours 45 minutes

32GB SD Memory Card
28 Mb/s 1920 x 1080: 2 hours 30 minutes 24 Mb/s 1920 x 1080: 2 hours 55 minutes
17 Mb/s 1920 x 1080: 4 hours 10 minutes
7 Mb/s 1440 x 1080: 9 hours 35 minutes
64GB SD Memory Card
28 Mb/s 1920 x 1080: 5 hours 24 Mb/s 1920 x 1080: 5 hours 55 minutes
17 Mb/s 1920 x 1080: 8 hours 20 minutes
7 Mb/s 1440 x 1080: 19 hours 10 minutes

128GB SD Memory Card
28 Mb/s 1920 x 1080: 10 hours 10 minutes
24 Mb/s 1920 x 1080: 11 hours 55 minutes
17 Mb/s 1920 x 1080: 16 hours 45 minutes
7 Mb/s 1440 x 1080: 38 hours 25 minutes

MP4
8GB SD Memory Card
35 Mb/s 1920 x 1080: 30 minutes
24 Mb/s 1920 x 1080: 40 minutes
17 Mb/s 1920 x 1080: 1 hour
4 Mb/s 1280 x 720: 4 hours 20 minutes
3 Mb/s 640 x 360: 5 hours 40 minutes

16GB SD Memory Card
35 Mb/s 1920 x 1080: 60 minutes
24 Mb/s 1920 x 1080: 1 hour 25 minutes
17 Mb/s 1920 x 1080: 2 hours 5 minutes
4 Mb/s 1280 x 720: 8 hours 40 minutes
3 Mb/s 640 x 360: 11 hours 25 minutes

32GB SD Memory Card
35 Mb/s 1920 x 1080: 2 hours
24 Mb/s 1920 x 1080: 2 hours 55 minutes
17 Mb/s 1920 x 1080: 4 hours 10 minutes
4 Mb/s 1280 x 720: 17 hours 20 minutes
3 Mb/s 640 x 360: 22 hours 55 minutes

64GB SD Memory Card
35 Mb/s 1920 x 1080: 4 hours
24 Mb/s 1920 x 1080: 5 hours 55 minutes
17 Mb/s 1920 x 1080: 8 hours 20 minutes
4 Mb/s 1280 x 720: 34 hours 45 minutes
3 Mb/s 640 x 360: 45 hours 55 minutes

128GB SD Memory Card
35 Mb/s 1920 x 1080: 8 hours
24 Mb/s 1920 x 1080: 11 hours 55 minutes
17 Mb/s 1920 x 1080: 16 hours 45 minutes
4 Mb/s 1280 x 720: 69 hours 30 minutes
3 Mb/s 640 x 360: 91 hours 55 minutes
Simultaneous REC./Relay REC.Yes
Display
Type3.5" / 8.9 cm, OLED
640 x 480
922,000 pixels
AdjustmentsBrightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
Viewfinder
Type0.24" (0.61 cm) color
960x540 resolution
1,560,000 pixels
Diopter Adjustment+2.0 to -5.5
AdjustmentsBrightness, Contrast, Color, and Backlight
Inputs/Outputs
HDMI Output1 x Type A
TimecodeEmbedded in HDMI output
Audio Input2 x Balanced 3-pin XLR on top handle unit
1 x 3.5 mm input jack on main body
Headphone Jack1 x 3.5mm stereo mini-jack
Remote TerminalLANC compatible
USB1 x Mini-B USB 2.0
General
White BalanceAuto, Kelvin, Daylight, Tungsten, Set A, Set B
White balance shift is available within Presets (-9 to +9)
Waveform Monitor2 Modes (Standard and RGB Component)
Minimum Subject Illumination59.94 Hz: 0.3 lux
50 Hz: 0.25 lux
Language SupportEnglish, Japanese, Simplified Chinese, German, Spanish, French, Italian, Polish, Russian, Korean
8.4 V DC (DC IN)
Operating TemperaturePerformance requirements
32 - 104F (0 - 40C), 85% relative humidity
Operating requirements:
32 - 113F (0 - 45C), 60% relative humidity
Dimensions (W x H x D)
WeightBody only: approx. 2.2 lb (1.0 kg)
Grip: approx. 8.1 oz (230 g)
BP-955 Battery: 7.8 oz (220 g)
Shipping Info
Shipping Weight12.2 lb
Box Dimensions (WxHxD)12.0 x 12.0 x 14.5


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