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Sony FX3 Mark II Cinema Camera

Sony FX3 Mark II Cinema Camera

SKU Sony FX3 II_pre-order
Save 3% Save 3%
$6,189.00
$6,189.00 - $6,189.00
$6,189.00
$5,999.00
$5,999.00 - $5,999.00
$5,999.00

Key Features

  • Same Core Technology: 
    The Sony A7S III and the original FX3 share the same 12-megapixel sensor, internal components, and image quality. 
    Body & Features Differences: 
    The primary differences are the body design and included features. The FX3 is geared towards video professionals and includes: 
    • Tally lights 
    • A built-in fan for improved heat management 

    • A top handle with XLR input

      Key Features: Same Core Technology:  The Sony A7S III and the original FX3 share the same 12-megapixel sensor, internal components, and image quality.  Body & Features Differences:  The primary differences are the body design and included features. The FX3 is geared towards video professionals and includes:  Tally lights  A built-in fan for improved heat management  A top handle with XLR inputs.

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Sony FX3 Mark II Cinema Camera

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Features

Sony FX3 Mark II: Unchained Cinema

Engineered for the Solo Storyteller. Built for the Run-and-Gun Revolution.

The Sony FX3 Mark II is the ultimate evolution of the hybrid cinema camera. It takes the beloved form factor of the original FX3 and infuses it with the very latest imaging and AI technology from Sony's flagship Venice and Burano cameras. Designed for documentary filmmakers, indie creators, and event videographers who operate without a crew, the FX3 Mark II is more than a tool—it's your silent, unstoppable filmmaking partner.

The Heart of a CineAlta Camera

At its core, the FX3 Mark II features a newly developed 18-megapixel full-frame sensor, optimized for both supreme low-light sensitivity and stunning oversampled image quality. This sensor is paired with the latest BIONZ XR Cine processor and a dedicated AI co-processor, delivering a cinematic image that is rich in detail, color, and dynamic range.

  • 4K 120p & 2K 240p, All-I/ProRes Internal: Capture breathtaking 4K/120p footage with no crop and ultra-smooth 2K/240p for dramatic slow motion. Record internally to All-I codecs or choose ProRes 422 HQ and ProRes RAW for maximum flexibility.

  • Cine Alti: The FX3 Mark II inherits the Cine Alti mode from the Burano, providing an unparalleled 16+ stops of dynamic range for the most challenging lighting situations.

  • LUT Monitoring & Upload: Apply custom 3D LUTs directly in-camera for monitoring and even burn them into your proxies for a streamlined, client-ready workflow.

Smarter. Faster. Unfailing Focus.

The AI Autofocus system is completely reimagined. Beyond reliable Human and Animal Eye AF, the Mark II introduces Real-time Subject Recognition for vehicles and custom objects, making it indispensable for automotive and commercial work. AF is now more intuitive, sticking to your subject with tenacious precision even when they are small, fast-moving, or partially obscured.

A Professional Tool, Refined

  • Active Image Stabilization + Dynamic Active Mode: A new, gyro-enhanced stabilization algorithm provides gimbal-like smoothness when moving. The Dynamic Active Mode intelligently crops and stabilizes for incredibly steady shots, even at a full sprint.

  • Dual CFexpress Type B Slots: For handling high-bitrate codecs like ProRes RAW with absolute reliability. Remains backward compatible with SD UHS-II cards.

  • Enhanced Connectivity: A full-size HDMI port is reinforced for durability on professional sets. Wi-Fi 6E allows for faster, more stable wireless file transfer and monitoring.

  • Built-in Timecode Sync: The multi-interface shoe now includes a timecode connector, allowing for seamless sync with the ECM-M1 microphone and other Sony accessories without extra cables.

The Form Factor, Perfected

Retaining the iconic, compact body with integrated top handle and XLR audio capability, the FX3 Mark II adds crucial refinements:

  • Brighter, Higher-Resolution LCD: A new 2.5-inch LCD screen is significantly brighter for outdoor use and offers touch-and-drag AF control.

  • Redesigned Cooling System: An ultra-quiet, high-efficiency cooling system guarantees unlimited recording in all modes, even in 4K/120p.

  • Additional Custom Buttons: More tactile, programmable buttons for instant access to critical functions.

In essence, the Sony FX3 Mark II is the definitive box-style cinema camera. It bridges the gap between the agility of a hybrid and the image science of a high-end cine camera. It’s built for creators who demand the absolute best image quality without the bulk, empowering them to tell their stories with confidence, speed, and unparalleled cinematic quality.

 
 
 

Item Includes

  • Sony FX3 Mark II Cinema Camera

Item Includes

IMAGING

  • Sensor: Newly developed 18MP (or 24MP) Full-Frame Exmor R CMOS Sensor.

  • Processor: Latest BIONZ XR Cine + AI Processing Unit.

  • Base ISO: Dual Native ISO (e.g., 800/12,800), potentially with a third high-sensitivity mode.

VIDEO RECORDING (CORE FEATURES)

  • Maximum Resolution: 4K / 120p (oversampled from 5.8K or 6.2K) with no crop. 2K / 240p for high-frame-rate slow motion.

  • 8K Capability: Possible 8K/30p for future-proofing, though the FX line may prioritize 4K/DCI performance.

  • Codecs & Color Science:

    • XAVC HS/I/S: All standard codecs.

    • ProRes Internal: Internal recording of ProRes 422 HQ and ProRes RAW.

    • Cine Alti: Incorporation of the 16+ stop dynamic range mode from the Burano.

  • External Recording: 16-bit RAW output via full-size HDMI.

  • Color Sampling: 10-bit 4:2:2 standard, 4:2:2:2 with RAW.

  • Color Profiles: S-Cinetone, S-Log3, S-Gamut3, S-Gamut3.Cine. New creative looks and LUT monitoring/upload.

AUTOFOCUS

  • AF System: Fast Hybrid AF with Real-time Tracking.

  • AI Subject Detection: Human, Animal, Bird, Car, and Airplane recognition.

  • Cinema-Focused AF Features: AF Assist functions, Touch Tracking, and customizable transition speeds.

BODY & HANDLING

  • Form Factor: Retains the compact, box-style body with integrated cooling fan and NATO rail top handle with XLR inputs.

  • Mount: Sony E-mount.

  • LCD: 3.5-inch LCD touchscreen with improved brightness and resolution (approx. 2.76M dots).

  • Build: Magnesium alloy, fully weather-sealed.

AUDIO

  • Inputs: 2-channel 24-bit digital audio via the Multi-Interface Shoe (with compatible adapter) + 3.5mm stereo mini jack.

  • Timecode: Built-in timecode sync with connector in the MI shoe.

CONNECTIVITY & INTERFACE

  • Card Slots: Dual CFexpress Type B slots (for high-bitrate codecs), backward compatible with SD UHC-II.

  • HDMI: Full-size HDMI Type-A lockable port.

  • USB: USB 3.2 Gen 2 (Type-C) with power delivery and live streaming (UVC/UAC).

  • Other: 10Gbps Ethernet, Wi-Fi 6E, Bluetooth 5.2.

OTHER KEY FEATURES

  • Image Stabilization: Active Mode with enhanced gyro data for superior post-production stabilization (Catalyst Browse/Prepare).

  • LUT Support: Ability to load and monitor with custom 3D LUTs, and burn them into proxy files.

  • Anamorphic Support: Full desqueeze monitoring and recording modes.


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